Friday, 12 February 2016

Ripples In The Fabric Of Spacetime

Work in progress...I've only just started tbh.
Just while I was immersing myself into Nolan's world of Interstellar (literally, for the first time proper), the matrix glitches and out pops a major scientific discovery, one that closely relates to the film itself.  Now that's synchronicity!

Feb' 11th 2016

“We have detected gravitational waves. We did it,” said David Reitze, executive director of the Laser Interferometer Gravitational-Wave Observatory (Ligo), at a press conference in Washington.
The announcement is the climax of a century of speculation, 50 years of trial and error, and 25 years perfecting a set of instruments so sensitive they could identify a distortion in spacetime a thousandth the diameter of one atomic nucleus across a 4km strip of laserbeam and mirror.

 Black Holes, Planet 9, Blackstar (cover art), Bowie...'ripples in the fabric of spacetime'?
 Spacetime Curvature
 Twin Peaks...Cooper (MacLachlan): Fear & Love (see Interstellar) open the doors...
Rippling tear in the 'fabric' of space-time 'midnight, where Jupiter & Saturn meet/conjunct' 

And we're back to Interstellar...'ripples in the fabric of spacetime'
Cooper (McConaughey) obtains the necessary quantum data (i.e. quantum gravity laws) from his (and TARS') journey through Gargantua (black hole/singularity). 
Cooper then transmits this data, encoded via manipulating 'gravitational waves' that affect Murph's watch (time) and its 'seconds hand'. 
Cooper does this (gravity wave data transmission) during his 'tesseract' part (below) of the Gargantua black hole. 'They' (bulk beings) who designed the wormhole (and intervened in his Gargantua drop), 5th dimensional entities who place Cooper in a familiar, but (tesseract) 4D world (time as a physical construct) for communicating with his daughter in 3D time and earth, the solution.

  4D Tesseract...replicating a 3D setting for contacting the 3D world.
Using gravity waves and love (love opens the door), the forces that can transcend space and time.
Rustin Cohle:"...outside of our spacetime, (where Cooper is) from what would be a 4th dimensional perspective (as is Cooper's) time wouldn't exist...our spacetime would look flattened like a single sculpture with matter (Murph's single room), in a superposition of every place it ever occupied" (replicated everywhere, infinitely)." 

The bookcase is also a symbolic 'time and communication machine', books that span the generations and ages...ideas, stories, philosophy...passed down and accessible to one and all.
Notice the 'spacecraft' that Cooper will utilize...the shuttle (with boosters) that would've resembled the space launch system (with boosters) taking them to space. The 'craft' (above left) enveloped in falling dust, which evokes what happened to the 'ranger' as he descends into Gargantua, encountering dust and eventually arriving at this same 'dusty' bookcase. 
It's like the microcosm and the macrocosm, as the same thing...overlapping with each other.
Even the (12 notch) watch, that rests on the bookcase is a subliminal twin of the Endurance (12 pod) wheel.

 Ripples in the fabric of spacetime...'black stars rise'
 True Detective, Cohle & The 4th Dimension...
Cohle (Cooper)...True Detective, who had his connection with his daughter via 'the blackness', just like his 'connection' via the black hole with Murph.

"To us, it's a sphere"
The wormhole (a sphere, not a cirle) as it appears to the Endurance crew before entry...Interstellar

Cooper to TARS (tesseract) "They're not 'beings'... they're us!"
"What I've been doing for Murph, they're doing for me, for all of us"
Cooper shaking hands with Brand (twice, "they're us") on the first trip thru the wormhole and Cooper's post-Gargantua. Ending, Cooper likely gets placed back into the wormhole (by the beings) after the tesseract is collapsed, hence why he appears floating 'like a reborn starchild' out by Saturn, near the close. The wormhole, a distortion in spacetime and 'love/gravity' that can transcend all of it. This is what is seemingly implied. (which is likely what makes this double handshake reference possible).

Cooper to Brand (after Miller planet visit): The beings that led us here (us)... they communicate through gravity... Could they be talking to us from the future? (see first handshake)...A civilization that's evolved beyond the 4 dimensions. (handshake, evoking the creation of Adam)
 Brand: Maybe...Look, Cooper, they're creatures of at least five dimensions, to them the past might be a canyon they can climb into and the future a mountain they can climb up... but to us it's not, okay? (That is until Cooper enters the tesseract and can do likewise, my emphasis). I'm sorry, Cooper. I screwed up. But you know about relativity.

  He sure does. Contact, McConaughey...Palmer (Cooper) Joss and 'Einstein's relativity'
Joss: "You'll only be 4 years older, but over 50 years will have passed on earth."
 McConaughey (Cooper) his children and the years of messages from home (time slippage)
The acting here is incredible. Gravity (the film) has nothing on this masterpiece.
His children's lives flash before him, in the literal blink of an eye, only hours earlier, they were kids.
Tears: "I knew my daughter waited for me, there." (True Detective)
Theriot: "Because, I ask you, how could the father forget his children? (Cohle and Cooper's daughter) ...In the end, we will find ourselves at the beginning (where Cooper/Cohle both find themselves, literally and figuratively), and we will at last know ourselves, and our true faces will weep in his light and those tears will feel like a warm rain." (Cohle's tears at the climax). 

Cooper (Cohle)...Gargantua Black Hole
   Entering the blackness/darkness, definitions fading to reach his daughter (who waited), see below

Rust: “There was a moment, I know, when I was under in the dark, that something… whatever I’d been reduced to, not even consciousness, just a vague awareness in the definitions fading.
 Beneath that darkness there was another kind - it was deeper - warm, like a substance. I knew, I knew my daughter waited for me there. So clear. I could feel her. I could feel. All I had to do was let go, man. And I did. I said,‘Darkness, yeah.’ and I disappeared (dropping into Gargantua). But I could still feel her love there. Even more than before. Nothing. Nothing but that love (love, the key). And then I woke up.
(In Interstellar, he finds his daughter waiting in her room and beneath the Gargantua blackness. 
After finally waking up on Cooper Station he meets his daughter again.)
 Ending up at at his (old aged) daughter's hospital bedside (the location Cohle found himself in, at the end of True Detective) the daughter, who waited. 

"The thing that people are most hungry for...'meaning'. 
Is the one thing that science has been unable to give them."
 The limits of science and religion, and their connections by the faith... 
''- Proof? Did you love your father? Your dad, did you love him? - Yes. Very much. - Prove it.''

Brand to Cooper...Interstellar switches McConaughey's position in respect of his views in Contact (above), this time McConaughey (Cooper) is 'cynical' about Brand and her 'love' explanation.

  "l had an experience. l can't prove it. l can't even explain it. 
But everything l know as a human being, everything l am tells me it was real.''
Unshakable faith (without proof), love and hope...are the key, the ultimate test.
Was Murph, the 'cinematic' love child of Ellie (Foster) and Palmer (McConaughey)?
Cooper (the father) is reunited with daughter. In Contact, Ellie (daughter) is reunited with her father.

Tesseract 'beings' (Interstellar) and wormhole to the 'Vega beings' (Contact) evoke the same concepts.
Higher dimensional functioning entities etc,
Arroway and Cooper...inside their 'wormhole/black hole' led constructs (Vega/Tesseract) 
They both use the same dialogue, at the conclusion of their 'contact'.

Both act as understandable 'interfaces' for communication with the advanced beings.
TV signals (not gravity waves) were the device for transmitting the plans for Foster's 'contact'
Jodie aka Alicia Foster...Alice Through The Looking Glass, Rabbit Hole, Wormhole
Morse (Contact) "In all our searching, the only thing we found that makes the emptiness bearable, is each other (them, they and us!)." 
 Sync wise, it will be 'Morse' (as in code) that will be used to translate the quantum data inside the tesseract and to Murph's watch.

  The original basis for Interstellar...gravity waves (via catastrophic destruction) involving black holes.
 It is Cooper who ultimately manipulates these 'gravitational waves'. Looped via the tesseract, he obviously exists/existed as 2 Coopers, who both send (shown near ending) and receive (near start) the message, the NASA co-ordinates, using binary. He actually asks TARS for the co-ordinates while inside the tesseract, it was TARS who questioned Cooper about how he obtained the NASA co-ordinates, earlier in the film! How's that for a paradox?

Cooper...initially after entering the tesseract, is confused/disoriented (his 'it aint working' quote) and his natural inclination is towards the image of his daughter (in her 3D world).     
  He naturally wants to be the father that he should've been, hence his pleading with his former 3D self to S.T.A.Y. (he is torn). To stay, so he could be that father to her ('spared me the sin of being a father', True Detective)...but Cooper's sacrifice (his love) is to everyone (he's not here to change the past, the one he's currently observing).  He soon realizes this via TARS...that it was he (himself) that brought himself here, so he could make that contact with the 3D world (from the tesseract) and get the message through, the one which will save the earth. Initially, a painful scene to watch, but it ends in triumph.

 Self-sacrifice...for the children, in both cases.
The 'Christ' resonance...Joseph Cooper (JC). McConaughey, will connect to Lazarus via Tropic Thunder, as well as Interstellar.

It is Cooper (who comforts Mann) after literally (coffin/hibernation) raising him from death, 
Cooper clearly plays the Christ role to Mann's resurrected Lazarus. (Gospel, St John)
Lazarus/Mars Damon...Damon played Lazarus leader, Hugh Mann (Hu-man) in Interstellar.
Lazarus/Mars/Lightning...Bowie & Damon
 Elysium being related to 'lightning' and Zeus (Bowie, Ziggy-Zaggy from Mars)

Starman, the lyrics describe Ziggy Stardust bringing a message of hope to Earth's youth through the radio, salvation by an alien 'Starman'. The story is told from the point of view of one of the youths who hears Ziggy. According to Bowie himself, speaking to William S. Burroughs (he had OTO links too, my emphasis) for Rolling Stone magazine in 1973. The song has inspired interpretations ranging from an allusion to the Second Coming of Christ, to an accurate prediction of the plot for the film Close Encounters of the Third Kind (1977) According to Bowie himself, Ziggy Stardust is not the Starman, but merely his earthly messenger (messenger of the gods a la Hermes? my emphasis).

Who Damon, The Martian & (Tree of Life) Bowie...via Hermes (rotating station)
You turned my world upside down, @ 3:22 see the 2001:ASO homage, girl and ladder etc. 

Among the later Qabbalists there is a division of the Sephirothic Tree into 5 parts, following is part 2:
ABBA, the Great Father, is the term generally applied to Chochmah--Universal Wisdom--the first emanation of Kether, but, according to Ibn Gebirol, Chochmah represents the Son, the Logos or the Word born from the union of Kether and Binah (aima). The Abba song plays when Damon reaches Ares site (Ares, son of Zeus/Hera) Ares, relating to 'war' a la Mars. (Waterloo, Napoleon, war!)

Interstellar, featured Jessica 'Tree of Life/The Martian' Chastain, as Murph. She has a 'Mars' thematic, co-starring in The Martian, was in Veronica Mars (TV), her birth in Mar(ch), elements in Crimson Peak etc. (Thanks go anon). McConaughey connects to 'Mars' in True Detective, Mar-di Gras (Fat Mars-day, Fat Tuesday), Mar-ty Heart (who he does go to war with, literally), Rust (rusty/red/russet), all names connected to 'warlike god' Mars aka 'the rusty planet'.

There weren't two colliding black holes (as we have in this latest scientific discovery) in Interstellar, but their was one (Gargantua) and where a separate wormhole was located on the other side.

We should expect these types of overlaps with Thorne, he is, after all, involved with LIGO and was involved with the Interstellar film. I think it is interesting nonetheless, and has come at a time where I only just recently begun to look closely at the film. This is why the latest news has piqued my attention, the waves referenced in the film have now been finally confirmed.

Interstellar, The '5th Dimensional entities/bulk beings' formed the wormhole and near Saturn.
In Kubrick's 2001, the stargate/wormhole (to the inter-dimensional beings) is near Jupiter (although it was Saturn in Clarke's original book and legend is that Kubrick couldn't reproduce Saturn's rings).

Interstellar: The wormhole...a tear in space-time, supposedly put there by 5th dimensional entities.
 On the other side...the black hole/singularity/Gargantua (which bears a striking Saturn resemblance.)
There were also some planets (Miller/Mann/Edmunds), potentially habitable for humans.

 “This is transformational,” said Prof Alberto Vecchio, of the University of Birmingham, and one of the researchers at Ligo. “We have observed the universe through light so far. But we can only see part of what happens in the universe. Gravitational waves carry completely different information about phenomena in the universe. So we have opened a new way of listening to a broadcasting channel which will allow us to discover phenomena we have never seen before,” he said. (a gravity wave based broadcasting channel, as used in Interstellar, via watch etc).
“This observation is truly incredible science and marks three milestones for physics: the direct detection of gravitational waves, the first detection of a binary black hole, and the most convincing evidence to date that nature’s black holes are the objects predicted by Einstein’s theory.”
"Until now,  astronomers had looked at the universe as if on a calm see. All that had now changed"
Big waves, gravity...the extreme gravitational tidal affects of Gargantua on the sea, Miller's planet.

There was huge spacetime 'distortion' during the slingshot journey around Gargantua (Interstellar), due to the ship's close proximity to the black hole/event horizon.
 Gargantua & Pantagruel (Rabelais) Gargantua, is the 'Giant' that built 'The Abbey of Thélème, where the dwellers followed a 'Do What Thou Wilt' philosophy...which of course, all sounds very similar to Aleister Crowley's Thelema (thelemic religion, Liber Oz), and who once operated out of an 'Abbey of Thelema' in Cefalu, Sicily. Pan-tagruel, perhaps a link to Pan, who is a symbol of Saturn.

 We shouldn't perhaps be too surprised by this Rabelais/Crowley link, 
Nathan 'Great Nephew' Crowley, is Nolan's production designer, as he was on Interstellar. 

Look at this 'hexagon' again (Gargantua's Theleme Abbey)
 Giant Gargantua, his Abbey hexagon and the 'hyper-dimensional hexagon' shape inside the Gargantua 'tesseract'...coupled with the film's Saturn (Gas Giant) location, related overlaps. The Cube & The Hexagon...Saturn
 Saturn's Hexagonal North Pole Feature...
  Metatron's Cube of Space...The Cube and the Hexagon
 One and the same...
Crucifixion, The 4th Dimension, The Cube/Cross/Hexagon and the Tesseract (via Dali)

Christ (McConaughey) and Lazarus (Damon)
 Stephanie 'Floating Crucified Christ' Kordish

4th dimension, the 'net of the hyper cube' is a 3-dimensional  representation of it (4th dimension), this is like what Cooper sees inside the tesseract, in Interstellar, making it understandable. God, being inaccessible/unrelatable in our 3D sense/world.

Christ/The Beast 666 (Saturn/Satan) & St John-Revelation
The Saturn Hexagon sits at 77 degrees, North. Al '666/777' Crowley's Liber OZ is Book 77.
 Cohle: "a very rural sense of Mardi Gras...had an annual winter festival, heavy on the Saturn-alia."

Crowley aka The Great Beast (666) - Ledoux 'the mad (al)chemist'
666 (tattoo) Beast Ledoux, in Sulphur, LA...Time (Cronus/Saturn). Pentacle, baphomet...
The symbol of sulphur is often used as an identifying symbol by Satanists (666), due to sulphur’s historical association with the devil. The al-chemists used to associate the 'goats head' with sulphur.
Pan (goat/capricorn) is also a symbol of Saturn and its atmosphere is also rich in sulfur/sulphur.

From (Interstellar) Nathan Crowley to 666/777 Aleister? Black Stars - True Detective, Crowley
Directions to the church with the 'Black Minister'...7 miles & 49 (7*7) = 777
Was the Rev Theriot, a barely veiled thematic link to Crowley aka Therion? It is Rev Theriot who makes the dialogue reference to the 'widow's sons/widows sons' (Freemasons)

The Black Star...Surely, most are familiar with the term 'mystery Babalon'?

Babel-on/Babalon - Liber 777 author, Crowley aka The Beast 666 & 111 

Dome of the Rock in Jerusalem to the Kaaba (cube) in Mecca (Babel-on), measures 666 nautical miles. Nautical miles, the accepted standard for global navigation, based on the circumference of the earth. Equatorial span is 60*360 = 21,600 nm, 21,600 = 216 (6*6*6). Our 2(0)16 year also relates.
 The interior angles of the cube = 2,160, 2160 = (6*6*6). The square number of the sun is 666, the cube made up of 6 squares. 2160, the degrees of a precession (for each zodiac sign), Platonic month.

Circumambulating the Kaaba represents the idea of oneness. Its meaning regarding the social life is not to leave unity and to try to maintain this unity. Its meaning regarding individual life contains deep truths. The sky has seven layers; man has seven souls. Each turning (seven total) around the Kaaba represents a phase, a stage; man covers a phase and is elevated up to the seventh sky, above the material realm. Besides, it means to rise from the lowest step of the soul, which has seven steps, to the highest one. (alluding to the 7 rainbow ladder chakras, imo).

Anti-clockwise, Saturn (Hexagon/Cube), The (cube/hexagon) Kaaba
 Saturn and the cube, as featured in Star Trek (Next Generation, via the Borg)
Star Trek: NG, The Best of Both Worlds (Part 2) Borg - One Hive Mind
 The Hive and The Hexagon (geddit?)

Where Manhattan (Man-saturn) & Mecca Meet...
The WTC 'ringed' Sphere/Twin Towers...The Kaaba Black Cube/Twin Towers.
Mecca (with Babalon Burj Tower) got 'lightning struck' on 9/11/15, WTC Tower(s) on 9/11/01
The WTC sphere would rotate once daily, and is enclosed in rings. It got Oz'd in The Wiz (film)
  The WTC's Architect, Yamasaki & Mecca and the radial pattern...
 The Black (Ice) Cube & Saturn via Mecca (He won the MECCA film award in 2002)
Ice Cube is also a self described mellow Muslim. 

Mecca & WTC...the WTC (sphere to black cube) 'switch project'.

Mecca (and one-ness) & New York and One World Trade Center. There appears to be an 'inverted' similarity...both connect to Bin Laden and both also now have the single Tower.
A 'SPACE' Odyssey...literally.

Mono (one) Lith (stone)...recall that 'Circumambulating the Kaaba represents the idea of oneness.' 2001 monolith, a literal 'black space rock' and the Kaaba stone is a 'black space rock' (meteorite). Lith, also translates as 'photographic film', the medium on which the film is shot and the single (mono) screen on which it is shown.

The 2001 (Jupiter/Saturn) Monolith x2...via the film and 'actual' WTC 2001 ground zero...
Project Rebirth (renaissance). Millenium (aka 2001) Hilton Hotel as The 'symbolic' Monolith overlooking (Overlook Hotel) the WTC Ground Zero...modeled on the exact one from the film!
 The 'transforming' Cube of Space...The Black Cubed Space Brick
A 'SPACE' Odyssey...literally. Transforming (shifting) via the Cubed Brick and 777

Kaaba-lism, Kabbalism...the Kaaba's 3 pillars and 3 pillars of the (Kabbalistic) Tree/Sephiroth.
  Kaab- allah-ism? The 3 Pillars of Creation & the cube of space (the cubed brick)
 The black cube (tefillin) and the head/ has the letter 'Shin' symbol
 Shin also stands for the word Shaddai, a name for God. Because of this, a kohen (priest) forms the letter Shin with his hands (priestly blessing).
In the mid 1960s, actor Leonard Nimoy used a single-handed version of this gesture to create the Vulcan hand salute for his character, Mr. Spock, on Star Trek. Pointy eared Spock, like the beast.

Cubed-brick Kubrick, died 666 days before 2001 (666 aka the beast/ape), Kubrick & 777
666 Kubrick's 2001 & 777 (title card gematria)
A decent little summary regarding symbolism...777

World Trade aka finance...the 777 point plunge, was on the Jewish Elul 29 (2008), it was Elul 29 during the post-9/11, Dow drop in 2001! right, Fools (on the Hill) who travel the 777 pathway.
Riding the '777' energy...777 the lightning flash of creation (kether to malkuth)
Forbes cover is from the last 2 weeks (Feb 8 2016), Trevor Rees-Jones? Wasn't he also the (amnesic) body guard for Lady Diana (aka Isis, mother of William aka Arthur) the once and future king? (see cover)  Yes, is the answer! We've related the Arthurian 'sword in the stone' to the flaming '777' sword before. Prince 'Arthur' William (Duke of Cambridge), born on the 216th day (6*6*6). Forbes Jones and 777...

I've just covered David '777/Kether to Malkuth' Jones via Davy 'Bowie' Jones! 
Davy Jones' Locker (see Lazarus) aka death (and rebirth?) at the bottom of the sea (Neptune).

  Lost? Yes...they still haven't found it yet! (MH370, 777)
'The Mysteries' (wink, wink)'s Aleister' 666/777' Crowley, books (winged) 777 & 370
A'ashes to A'ashes, Capricorni, Lazarus Bowie born/died under Capricorn, just saying. 
Crowley was an apparent 'junkie' too, some even say until his death.  

The '777' travelling Fool...and MH370 Boeing 777
A commenter called Id (thanks) alerted me to this recent story. 
It's '777' and The Fool(s), again!
Twin Towers (wink, wink). No last ping response from the MH370 777 plane @ 9hrs 11 mins.
The '777' alongside the Twin's like an echo/replay of 9/11. 
Twin Towers, meaning Petronas. Neptune (crown) overlaps between MH370 & WTC 

According to its website, WNDR is an "American Jewish Zionist" newspaper based in Tel Aviv that dedicated to covering "biblical archaeology news and other mysteries around the Globe". - See more at:
According to its website, WNDR is an "American Jewish Zionist" newspaper based in Tel Aviv that dedicated to covering "biblical archaeology news and other mysteries around the Globe". - See more at:
According to its website, WNDR is an "American Jewish Zionist" newspaper based in Tel Aviv that dedicated to covering "biblical archaeology news and other mysteries around the Globe". - See more at:
According to its website, WNDR is an "American Jewish Zionist" newspaper based in Tel Aviv that dedicated to covering "biblical archaeology news and other mysteries around the Globe". - See more at:
A Judaic link, bilical (where 777 features/relates) & (the) 'mysteries' (777, an aspect)
 The sort of blurb you read during the end credits of a movie, although this aspect never stopped Hollywood's 'mass predictive programming' of the 9/11 event, through their media output!
The disclaimer (imo) actually increases my suspicion, considering it's Zionist links! 
 (source) mh370-pilot-mysteriously-resurfaces-almost-2-years-after-his-flight-vanished-over-china-sea/ 

777/2001 and Evolution...
 Apes (the beast, 666), Man, Evolution, 777 & 21 (7+7+7)...2 00 1

Head (Kether, Crown) to Toe (Malkuth, Earth) via the sole/soul. Doug '2001' Trumbull returned after 30 years absence, to do the special effects for Malick's Tree of Life, Jessica (female Jesus) Chastain, Murph from Interstellar featured.

The famous quote that opens the film sequel 2010: The Year We Make Contact – 
"My God—it's full of stars!" – is actually not in the 2001 film, although it is in the 2001 book.
 Interstellar - Tars (Monolith/Cube). Black Tars/Black Star (anag)
In the 2001 novel, Bowman enters the giant monolith (near Iatepus, moon of Saturn) and finds it hollow...and then follows the 'My's full of stars!' quote.

 The cube (room) and hexagon Tesseract, Interstellar
The (3D) Tree of Life/Sephiroth...The Hexagon and Cube (structure)
(Recall Dali) The 'net of the hyper cube' is a 3-dimensional  representation of the 4th dimension

The Tree of Life and The Cubed Brick/Hexagon

Metatron's (Enoch) Cube of Space...Cube, Hexagon and 777 (Lightning Bolt) Tree of Life
 The Cubic 777 Stone (Monolith)

True Detective & 2001 A Space Odyssey. Bowman has his 'Lazarus' moment, life from death.
Reaching infernal planes...the ether/astral etc
 Errol: "My ascension removes me from the disc in the loop. (multiple meanings)
(Saturn is a literal disc in a loop/ring, 'ascension' can also be related) 

Then there's the whole Carcosa/Yellow King/King In Yellow Mythos...
 There's an oblique Cronus/Saturn connection, at least. Hymn to Hastur (Pan) overlaps with Crowley and his 'Hymn To Pan' (poem to the Greek deity). OTO's Jack 'JPL' Parsons used to recite this 'hymn' during his rocket test launches, recall that Pan (goat) is also a symbol of Saturn.

 "You know Carcosa? Him who eats time. Him robes, it's a wind of invisible voices." 
Black Stars...well, there's Black Aunt D...who waxes lyrical about Saturn.
   Death is not the end. You know Carcosa? You rejoice. Carcosa." (anti-clockwise spin)

 Black holes/wormholes (vortices) can literally be capable of 'eating time' (time dilation) and we do see a comparable 'vortex' inside Errol's Carcosa lair, as he attacks Cohle. See Interstellar.
The related 'robed' Yellow King sculpture/altar implies the 'He/Him' aspect
("Him's a wind of invisible voices").

Saturn has the fastest winds of any other planet in our solar system. 
"Him who eats time" aka Chronos/Cronus/Saturn (chronology, death, the grim scythe reaper)

Saturn, God/King of Time, The Sulphur Yellow King Gas Cloud Giant, acolytes dwelt in Sulphur, LA. In Roman mythology Saturn (Chronos)  was the father of Jupiter (Zeus), king of the gods.

The 'stellar' black hole/collapsed star...'monolith Tars' entered the vortex, followed by Cooper.
Gargantua (beyond Saturn), the hexagonal building giant (Theleme), Saturn the 'gas giant'

2001 'giant cubed brick' monolith, led Bowman to the gas giant Jupiter stargate (wormhole)
Stargate wormhole...2001 (near Jupiter/film, but Saturn/book.) Both (gargantua-n) Gas Giants.

The monolith (TMA2) near Jupiter, was a 2 kilometre long 'giant' monolith. 
Millions of these giant monoliths grouped and descended upon Jupiter, igniting it and causing it to become a star/2nd sun. The Discovery ship has hexagonal shaped boosters.

The cubed brick/monolith/gas is all very suggestive of both Jupiter and 'cubic' Saturn, combined!  Saturn being the planet with the cubed brick and hexagon.
 John 'Interstellar' (Mono)Lithgow...Roy 'Jaws' Scheider. Spielberg did early drafts for Interstellar.
The Endurance ship's slingshot around Giant Gargantua, The Leonov's slingshot around Giant Jupiter.

 Contracting/Expanding and exploding Jupiter, igniting 2nd sun and a new home for life (2010)
Old Murph...bed bound, like a female composite rendering of old, bed bound Bowman.
A new sun (2nd sun) and a new home...and in respect of Cooper/Tars (monolith)
John (Mono)Lithgow, connecting both film universes (2010/Interstellar) by his presence.

Cooper (Twin Peaks) "Where Jupiter & Saturn Meet" (tear/wormhole in spacetime)
Historically, when Jupiter and Saturn are conjunct, large shifts occur in power and fortune. Jupiter is expansive in its influence; Saturn, contractive. Conjunction suggests a state of concentration, intensification. What we have indicated here is something potentially explosive.

"Donut...go gentle into that good night"(lol)
 Torus (donut) and Wormhole...ripples in the fabric (drapes) of spacetime via Jupiter/Saturn
and the 'plane' tree (sycamore), the multi-dimensional plane(s).
Cooper cont...Taking into account the earth's rotation, planetary positions are specific down to the last second ...(searching through books)... and according to the Ephemeris, taking the other planetary positions on the wall into account, this conjunction will occur in our part of the world ...
 The (gas) 'Scandinavian' Giant, the red dwarf, Venus...gas giants Jupiter (Zeus' lightning bolt) and Saturn (fly-by, ornament). The term "gas giant" was originally synonymous with "giant planet." All aspects relating to celestial phenomena. The Giant and the ring(s) and (reverse) red room drapes (Roadhouse)...he takes Cooper's ring, Saturn's ring(s). The giant also occupies the body of the old man...old man, giant, ring(s), it sounds like a composite for 'old father time' Saturn.

Star Trek - The Wormhole (shifts/bends in spacetime). Hexagonal overload too, see start and finish.

According to the shooting script of Star Trek: The Motion Picture, the Enterprise passed through the Saturnian system on its course to intercept V'ger. This was changed to the Jovian system for the film.
Which is exactly what Kubrick/Trumbull did with (related) 2001:ASO, Saturn to Jupiter.
Kubrick monolith(s) were constructed using black basalt, we had 'Small' and 'Giant' examples
Gargantua Giant/Theleme 'Hex' Abbey (Thelema/Will). Suggestive of Saturn's influence on Earth?
Crowley, Liber Oz aka (book) 77, 'Do What Thou Wilt'...Saturn's hexagon/cube is at 77 deg north.

The Giant's (Gargantuan) Causeway...the 'hexagonal basalt' way, by cause of the giant (Saturn)?
 Star Trek - The Motion Picture (Giant's Causeway). 2001 stargate effects man Doug Trumbull would handle the final effects in Star Trek film (1979), for which he won a Saturn Award (sci-fi awards). 

The Hexagonal Bridge...via the Giant Cloud

 V'ger is a giant alien cloud that has been built around the V(oya)ger 6 probe (Hex=6)
Star Trek (TMP) is set in the year 2273, note that Decker will say that the probe was launched over 300 years ago, this puts it in and around the 1972/3 launch time window for Pioneer 10/11.

Bowman, reaches the aliens via the bridge of the stargate/wormhole, led by the basalt monolith
 Star Trek...the hexagonal basalt bridge, from Enterprise's bridge to V'ger (bridge to the alien being)
Hexagonal bridge to God...Led Zeppelin, Houses of the Holy, Lead (Led) the metal of Saturn 
Kaaba - The Black Cube /Hexagon
Hermetic Jimmy 'Thelema/OTO/Crowley' Page...bought and lived at Boleskine House, for a while.
 Spock's space-walk to mind-meld with V'ger...the hexagon portal
I'm picking up heavy Saturn resonance (albeit subliminally and/or obliquely) from Star Trek (Motion Pic). The plot ultimately centres around a (fictional) probe called Voyager (Hex) VI/6, which an alien-type god-like intelligence envelopes in a giant cloud, and is looking for the Creator (us).
The film has strong similarities to one of the Star Trek TV series episodes, The Changeling.
Back in the real world...Pioneer 11 probe made the first ever human contact with Saturn 
on Sept 1 1979, a few months before the Star Trek (film) was released. The probe actaully passed thru (made contact) the outer rings of Saturn and discovering Saturn's magnetic field etc.

In this slowed down 'Spock' clip, the Pioneer plaque features several times.
Pioneer (10 & 11) carried a 'greeting/contact' plaque on-board, a plaque that was designed by Carl 'Contact/Wormhole' Sagan and referenced in Star 'Voyager 6' Trek film. Is that a monolith?

 Sagan's plaque wasn't part of Voyager 1 & 2 expeditions, but Sagan's Golden Disc/Record was!
Voyager 1 went 'Interstellar' in 2013, Voyager 2 is expected to do likewise this year (2016)
 Both Voyager probes launched in 1977. (Saturn's hex @ 77deg). Voyager 1 encountered Saturn first, with the closest approach on November 12, 1980. Voyager 2, closest approach to Saturn occurred on August 26, 1981. Quite busy around Saturn..probing Sept 79, Nov 80 & Aug 81. 

"And the stars look very different today..." 777 'kether to malkuth' tree of life Bowie
Ripple in (Blackstar) Spacetime, Lazarus Bowie...the original and literal Pioneer
The Pioneer plaque appears in the booklet of 'alien resonator'  David Bowie's album Blackstar

Transported in the ether by a tear/rip in spacetime...Twin Peaks FWWM (film)
Bowie is instantly transported from Palm Deluxe Hotel, Buenos Aires (Argentina) to the FBI offices in Philadelphia (US). During the return transition of this transportation, we're shown the inside of Bob's gaping mouth (we zoom out from) and Bowie is magically appears back in Buenos Aires.
 He reappears through a fiery portal and seemingly via Bob, the ether and electricity, note the Red Room type drapes (left), the room that gives access to the lodge(s) via Jupiter/Saturn, conjunction.

Starman Bowie, was born in 1947. These Nasa probes...from Pioneer, to Voyager, all connect to JPL (Jet Propulsion Lab), as does the current Cassini probe. Pioneer was developed from JPL and the Voyager craft were built there. JPL was co-founded by Jack Parsons, Pasadena's OTO lodge leader and a disciple of  'Thelema' Crowley (who 'Tree of Life/Blackstar' Bowie was also interested in).  
Crowley and Parsons would both die in the year 1947 (Bowie's birth year). So, what's all this got to do with anything?  1947, was also the year when OTO Parson's and Hubbard performed their Babalon Working ritual (which I've seen cited in relation to a tear in spacetime fabric and moon children), coincidentally, 1947 would also be the year of the Roswell (UFO) incident, which led to the popularization of the flying-saucer (in reality and media).

 1947 & 19.47°...The Star Tetrahedron - Merkaba/Mer-kaaba 
(1947, Crowley, every man/woman is a star)
 The Merkaba (inscribed inside the circle) & Sun (a star)

Why can the position of Saturn and Jupiter be ideal for extreme solar activity? The 'angular momentum' of large planets (Jupiter and Saturn, the 2 biggest in our solar system) effects solar activity. This is because the two planets have a pulling effect on the sun.
Jupiter and Saturn are a huge influence on the sun itself (and all of the other planets as a consequence). This is because they conversely possess most (almost 99%) of the solar system’s total bulk angular momentum.

 Eventually, the field lines work their way to the surface of the sun because the concentrated magnetic flux is more buoyant than the surrounding solar surface. This subsequently causes sunspots, solar flares and coronal mass ejections, which tend to cluster around the "tetrahedral" 19.47° latitudes (north and south!) at the peak of this cycle.  The 'red spot' on Jupiter is also located in this position.

What we're seemingly dealing with, is Jupiter & Saturn having a meaningful affect on the solar output of our SUN and therefore conditions on earth!  Also a form of physics (tetrahedral constant) that seems to have been encoded throughout our solar system and here on earth...As above, so below.

The Black (Mer)Kaaba Stone (cube/hexagon)
Star tetrahedron, cube and hexagon

Sagan wrote Contact, Zemeckis made the opens with a 'probe-like' journey from earth and through the solar system, note we pass through the rings of Saturn, like Sagan's Pioneer 11 did (video, below). The assortment of popular music (see clip), surely a nod to Sagan's Voyager Golden Record. The musical selection features Bach, Mozart, Beethoven, Stravinsky, Guan Pinghu, Blind Willie Johnson, Chuck Berry etc

An alien 'contact' signal is picked up by astronomer Arroway (Foster)
Plato's dialogue Timaeus (c. 360 B.C.) associates the other four platonic solids with the four classical elements, adding that "there is a fifth figure (which is made out of twelve pentagons), the dodecahedron—this (5th element) God used as a model for the twelvefold division of the Zodiac."
 The 'pioneer' based contact...the vehicle in which Arroway travels through the wormhole,
 is a sphere surrounded by a dodecahedron, the shape can be transformed into a cube.
Interstellar's Kip Thorne and Lynda Obst both worked heavily on Contact (1997)
 The decipher the wormhole tech, the hexagon (at the cube corner) and the cube.
 John 'Alien' Hurt, The (Primer) Key...also being an aspect of Nolan's Interstellar (see below)
The hexagon, the cube and the 'rings within rings' contact machine

Sagan, of course, is seen as a godfather of the wormhole, he also helped advised (about the alien intelligence) on Kubrick's 2001 film. Sagan's son Nick, would write for the Star Trek TV franchise.

 The bridge to God and the higher dimensions...
 Star Trek (1979). During its mission, Voyager 6 disappeared into what was once called a black hole
(see V'ger), emerging on the other side of the galaxy, where it fell into the gravitational field of a planet populated by a race of living machines. Yes...distinct shades of Interstellar!
Cooper (Interstellar) "They're not beings, they're us." 

 Which is what Crowley (Interstellar's Nathan Crowley's great uncle) perhaps may have been implying via his (alien) Lam contact (self portrait).  It was a 'preterhuman' intelligence (Aiwass) that led to the Book of Law, but it might also imply an aspect of the (his) shadow self.

Us...which is what V'ger turns out to be, the captured Voyager space probe, sent from Earth.
Interstellar: How? Love (it's quantifiable), it's the key, and to transmitting the code!
 "We're here to communicate with the 3 dimensional world" (as is V'ger)
"To save the world"...both Enterprise crew (V'ger will soon hit Earth) and Cooper/Tars 
Other dimensions and higher levels of beings...via love and the hexagon (cube)
Man & machine in harmony, Star Trek (Decker/Ilia), Interstellar Cooper/Tars (bulk beings/us).
Yes, it's all a bit Deus Ex Machina, God from a machine etc, there's overlapping Borg elements from Next Generation too. 2001:ASO, Bowman will pass through a 'type' of machine (during rebirth) at the film's close, monoliths are actually 'machines' built by an unseen ET species.
Spock will not return to Vulcan to complete his 'purging of emotion', after this scene. Being half human, half Vulcan...he seems to understand the limitations of pure logic, judging by the dialogue.

Ilia (probe/machine) and Decker (human) merge via love (just like Cooper/Interstellar)
Enter-prise? More like 'enter (his) prize' (literally, Ilia via the sex act)
 The sexual allusion...V'ger (V) and the Cubic Black Stone (Decker/Ilia, a neo-Adam & Eve)

The hexagonals (6 sided shapes), the sexual overtones and via the black stone
 Notice at the end of 2001, that Bowman ultimately meets himself, before his rebirth.
Cooper (Interstellar) 'meets himself/they're us', Star Trek crew meets the probe/god sent by 'us', Contact, meet the aliens (who appear like us) and sent 'contact tech' using 'our' TV broadcast.
 KIRK: Spock! Did we just see the beginnings of a new lifeform? (Decker/Ilia)
SPOCK: Yes, Captain, we witnessed a birth. Possibly a next step in our evolution.

The 'Shining' (luminous) Star-child and The Shining Space-child
Hexagon and space...Kub(ed)brick. 'Saturn V' rockets launched Apollo 11, from a similar shaped pad.
The rocket to the moon, the location where the 'monolith' was uncovered by modern man. was supposed to be Saturn (and its moons) that were the setting for 2001
  Bowman & Cooper 'floating in a box'...another Nolan nod to 2001
Time (Chronos/Saturn) The Watch & Book...Cooper (Cohle) in the 'nowhere' Saturn tesseract
 What begins in this novel as two separate tales eventually twist together into one. 
A young deputy, Danny Upshaw, finds himself on a ride that will force him to confront secrets he has kept his whole life, even from himself. (The Red Scare, red, russet, Rust)

  True Detective (S2) - The Big Nowhere & The Cube (I've not seen 2nd season)

True Detective: "It's all one wormhole, man, giant gutter in outer space."
Interstellar...a giant 'gutter/trough' wormhole in outer space...near Saturn
Black star(s) and the wormhole, that led to Childress' imminent attack on Cohle...
,,,the wormhole in Interstellar, that led to an imminent attack from Mann, on Cooper.
 The McHeadbutt...Mann & Child-ress

 The Superman - Ubermensch (Nietzsche). Interstellar, Cooper will be thrown-out of the wormhole and float back to our solar system, post 'bulk being/alien' contact, like a reborn (2001) starchild. If Kubrick wasn't forced to drop Saturn (in 2001) the wormhole (stargate) would've been close to it.

The Nietzsche quote and time...2001:ASO has Nietzschean overtones (Thus Spoke Zarathustra)
There was (not unexpected) 'gravity' and 'time' resonance running throughout most of Interstellar.
There's also  'time-loop/paradox' elements in both Interstellar and True Detective. The watch (a flat circle of time) the device for relaying the quantum data to the 3rd dimension. Saturn 'god of time' is wrapped in flat circles/rings and is the flattest of all the eight planets.
Saturn (close to the location of the wormhole) Cronus/Chronology and being 'The God of Time'
Cohle: "a very rural sense of Mardi Gras...had an annual winter festival, heavy on the Saturn-alia."
 Harvesting the corn (Interstellar)...Saturn/Cronus/Chronos
During the burning of the corn, Murph starts to understand the significance of the watch (time)
Rust (as in Cohle) is also a form of plant fungus/blight, blight being central to the plot.
Recall that True Detective's (right) opening shots depicted a fire in a crop (cane) field.

"Death created time..." Death (Cronus/Saturn), Time & The Reaping Scythe.
Said by Cohle, while he spins the crushed 'Lone Star' can aka 'flat circle of time'.

The 'spinning' Endurance that was designed to resemble a 12 pod rotating clock (face)
Rotating anti-clockwise a la Saturn
Some of the music/soundtrack clearly evokes 'clocks and ticking' in their composition

 The extreme time-dilation/slippage aspect was also a large factor.

Make no mistake (well, imo at least)...Interstellar is a truly brilliant film experience, I actually think it is (potentially and probably) the most important Science Fiction film since 2001 A Space Odyssey. It is not the easiest film to take in and understand on first viewing (needs concentration and subtitles because dialogue is very poorly reproduced in places, an IMAX issue?), but a little perseverance really helps and pays off. McConaughey, again gives a remarkable performance (there is no other more an improved actor, over the last few years), as does Damon (even though it is a small role, it is crucial and brilliantly played). It pays homage to Kubrick's film and by the bucket load, it also references the sequel 2010 and even Rendezvous With Rama (Clarke). The soundtrack by Zimmer is literally to die for and I don't usually go for his stuff, so even that was a surprise. 

to be continued...

The Interstellar Cooper Station (cylinder) The Rendezvous With Rama Station (cylinder)
Cylindrical Hollow Space Colony
Barrel (Cooper) Cylinder. 
Recall that the giant monolith in Clarke's 2001 book (that Bowman enters) was hollow.

 Clarke, of course, is arguably the source of the monolith type idea, see his book The Sentinel and via his 2001 (and related) book series, which was written alongside the making of the film, but published just after the film's release. The Sentinel, the story deals with the discovery of an artifact on Earth's Moon left behind eons ago by ancient aliens. The object is made of a polished mineral, is tetrahedral in shape, and is surrounded by a spherical forcefield.(that sounds like our 19.47 tetrahedral/merkaba shape inside a circle from earlier). 

The narrator speculates at one point that the mysterious aliens who left this structure on the Moon may have used mechanisms belonging "to a technology that lies beyond our horizons, perhaps to the technology of para-physical forces.The narrator speculates that for millions of years (evidenced by dust buildup around its forcefield) the artifact has been transmitting signals into deep space, but it ceases to transmit when, sometime later, it is destroyed "with the savage might of atomic power". The narrator hypothesizes that this "sentinel" was left on the moon as a "warning beacon" for possible intelligent and spacefaring species that might develop on Earth. 

The 2001 monolith was originally to have been a black tetrahedron; however, it did not reflect light properly. Stanley Kubrick then decided to use a transparent cube, but that proved to be too difficult to use because of the reflections created by the studio lights. Next came a rectangular monolith cast from Lucite that looked unconvincing, and finally the familiar black slab.

 The monolith got a recent airing in the new X-Files series run, in Founder's Mutation. The episode that heavily (understatement) related to alien genetics, the (starchild) William, who was adopted in the year 2001, and aspects of Sci-Fi media including (dual 'ape/space' related) Escape From Planet of the Apes (adoption story) and Kubrick's (Clarke) 2001:ASO. The 2001 scene that Mulder and William both watch together, is a dream/vision that Mulder experiences.

The frequent reference to a high pitched sound/noise, is clearly a nod to the 2001 monolith, that emitted a similar sound, after being uncovered on the moon. The Earth monolith being shown later in the episode. (In the direct narrative, it's implied that 'genetically mutated' Kyle is emitting the sound).
In the film, the moon monolith (machine) is sending a radio signal/message (after sunlight strikes it, for the first time in millions of years) to the giant monolith that is currently in orbit around Jupiter (aka Zeus). We know that the 2001 monolith involves rebirth/genetic tinkering, because it is clearly implied and we see the 'fetal Bowman' pass through the monolith (machine) during his rebirth. More Deus Ex Machina stuff or Zeus Ex Machina, if you prefer!

In genetics, a founder mutation is a mutation that appears in the DNA of one or more individuals who are founders of a distinct population. Founder mutations initiate with changes that occur in the DNA and can be passed down to other generations. Founder mutations originate in long stretches of DNA on a single chromosome.
In this case, the founders mutation, in Mulder’s reasoning, would therefore mean the next step in human evolution with the use of alien DNA. This also relates to Dr Goldman, the literal 'founder' of the 'genetic' lab where (alien) DNA fetal 'mutation' work, has been and is active.

The latest series seemingly evokes Zeus Genetics, that featured in Season 8, Dr Goldman being the equivalent of Dr Lev (Dr Zeus). A program that operates on children (given up) for the purposes of alien DNA experimentation.  Zeus Genetics was tied into the (fetal) William story arc.
Relating to (soon to come) Scully's baby/starchild (who ties-in to biblical Revelations, 666)

Zeus (Genetics), is another aspect that (subliminally) ties/relates to 2001, Zeus (Jupiter) 'the lightning bolt' thrower (son of Cronus/Saturn and Rhea, Rhea being a moon of Saturn) and we identified a '777 lightning bolt' overlap aspect in Kubrick's (Jupiter/Zeus) film.

Mrs. Goldman (ex-wife of Dr 'DNA' experimenter Goldman) was formerly overtaken by the same high-pitch sound that afflicted Mulder and Dr. Sanjay. She cut open her belly (Caesarian, caeser meaning hairy, see related overlapping aspects, below), and out came a baby boy. Not because she wanted to kill the child, but because he wanted to escape. Suggesting that the sound was being emitted from the unborn child. She is aware that her children have been genetically tampered with...via her ex-husband.
If Mrs Goldman assumed that the 'high pitched' sound was coming from her own child, couldn't it be possible that Mulders's own adopted son, might be able to do likewise? The one that he soon has daydreams about?

 Towards the end of the episode we see Mulder’s own dreams of spending time with his son. They build rockets in the back yard together, and we see them watching the Dawn of Man sequence of Stanley Kubrick’s 1968 film “2001: A Space Odyssey.” 
Mulder even tells him that the black (piercing sound) monolith at the heart of the movie’s narrative could be interpreted as aliens prompting the evolution of mankind from hairy (caesar) ape-like creatures. Mulder’s fantasy also ends on a horrific note, however. He sees William levitating (Dr Lev?) before he is consumed by a terrifying white light. The embryonic Bowman 'levitated' above his bed (in the alien construct, renaissance/rebirth room) before passing through the monolith in Kubrick's 2001.

 In the hospital (which likely uses women as incubators for alien DNA genetic experiments), while Scully and Mulder are talking to the paranoid and pregnant Agnes (lamb, Agnus Dei, lamb of God), she stands in the foreground, her face juxtaposed with images of  'Escape From the Planet of the Apes', Roddy McDowall and Kim Hunter’s ape characters Cornelius and Zira doting on their newborn. Ironically, it is revealed (in Escape) that Zira once did her own experiments, but on humans.
In “Escape,” the two older apes flee the titular planet (which was Earth, all along) and traveled back in time to Earth in its modern days, when people still held dominion over the planet. 
 Here, Zira gives birth to a chimp who will grow to become known as Caesar (which many translate 'appropriately' as meaning hairy, caesus meaning 'to cut') after they put him up for adoption to protect him, just as Scully did with William. Caesar, of course, is the ape who, in subsequent movies, starts the simian revolution that topples humanity’s rule over Earth. 'Escape' director Don Taylor would also direct Damien: Omen 2 (the 666 antichrist film) and the 'time travel' film The Final Countdown.

 Caesar...a title of Roman emperors, especially those from Augustus to Hadrian.
Dr Zeus (resonator) Dr Goldman's full name is Augustus Goldman, played by Doug Savant.


 I'd say that Doug Savant's actual real name is 'related'...wouldn't you?

Planet of the Apes, was released the same year (1968) as 'ape/monkey' referencing film, 2001:ASO. 
There's a 'time distortion' aspect in Planet of the Apes (via light speed testing and hyper-spacing), which finds Heston in the future, crash landing his ship.

The Planet of the Apes film series, was 'appropriately' rebooted in 2001, a Tim Burton film, featuring Mark Wahlberg. In the film's opening, he enters as electrical storm/vortex that sends him about 3,000 years into the future.
Wahlberg will pass through a wormhole (spacetime shift) in this film, at the climax, an attempt to return to his old time zone. Funnily enough, he exits the wormhole  (in our solar system) right next to Saturn, a popular spot for wormhole related film and media.


  1. I really like the intention that Murph is the 'cinematic' love child of Ellie and Palmer - both movies feature heavy use of Murphy's Law and Occam's Razor. Also noted that in Contact, Ellie's father was played by David "Morse", which syncs back to the morse code in Murphs bedroom, father to daughter.

  2. Check The Green Mile, it syncs through David Morse and through Sam Rockwell (Moon/Bowie) - it sounds left field at first but consider this:

    - Gargantua is based on Gargantua and Pantagruel who were giants - The Green Mile is a story about a Giant with magical healing abilities.

    - The "giant" of the movie is John Coffee (JC, Cooper), who keeps saying "he tried to take it back, but it was too late"

    - The Green Mile opens in present time, with a man who is "magically" older than he should be with all his family already dead, reflecting back on an earlier time in his life.

    - The story has a theme of running out of time and the destruction of innocence, centered around the electric (Bowie?) chair of the execution center.

    Haven't watched the movie in quite a while, but I suspect there will be more parallels if looked into a little deeper.

    1. Hi, sorry have been indisposed...haven't even seen The Green Mile (not even a few seconds of it), another that has always somehow eluded me. :) I know Hanks is in it and that now deceased 'juiced' big black guy, based on a Stephen King story, if I remember correctly.

      I've seen that Morse in a few things (12 Monkeys, Dancer In The Dark, Contact etc), he always plays interesting roles.

      Was reading that thing about Gargantua/Pantagruel, it's from Rabelais too. It's something I'm going to add soon. Rabelais' Gargantua is the 'giant' that builds The Abbey of Thélème. Thelema, Crowley and his 'Abbey' in Cefalu...Rabelais is the source of Do What Thou Wilt, which is also an aspect of the way of life (philosophy) for the people in the Gargantua built Abbey. All very similar sounding stuff to Crowley's philosophy (liber oz), and we know 'great nephew' Nathan, is a part of Nolan's circle.

      I really, really rate Nolan's of the best films I've seen in recent years, it's goddamn 'EPIC'. :)

      Thanks for all your contributions, will get back to you.

    2. Keeping with the Gargantua aspect, there are several references in Rabelais work to the giants using urine, such as "he drowns thousands of them in a flood of urine", referring to Gargantua.

      It is the immense gravity of Gargantua (interstellar) that causes the tidal waves that nearly destroys Coopers landing party, and I believe that Rabelais and Interstellar/N.Crowley are referring to the same hidden under story. The tidal wave was one of the main scenes of the film and used very heavily it its marketing.

      And very interestingly, this is also heavily present in The Green Mile, where Hanks' character suffers for most of the movie with debilitating URINARY TRACT infection!! This infection is later healed by John Coffey/JC/Gargantua, and there follows a scene where Hanks "floods" the urinal as the pressure is released.

      If it sounds contrived, it's really worth postulating for what other reason could this film could have lended so much weight to the urinary tract infection - its a central theme of many scenes and this stuff has to go through writers/producers/directors, you really need to ask why!?

      Very syncy!

    3. Oh and one other thing, I had always assumed the Inter prefix of Interstellar simply meant "between" stars, but it has another meaning:

      to "place (a corpse) in a grave or tomb, typically with funeral rites"

      I wonder if this is the true intent of the meaning in Interstellar, because it ties in with the star killing weapon of the First Order in Force Awakens, who also use the Black Star as their logo.

    4. Regarding the cross theme / projection of dimension - the Kaaba in Mecca is 666 nautical miles from the Dome of the Rock in Jerusalem.

      The two most sacred sites on the planet separated by 666 measures of maritime (literally meaning Mars time).

      The Kaaba has often been tied to the 2001 ASO monolith through its shape and colour, and has a cornerstone alleged to be a piece of meteorite, known as the "Black Stone". During the Hajj festival, attendees are required to circumambulate the Kaaba 7 times in a counter-clockwise direction, evidently mimicking the rings of Saturn, and the likely real reason for the monolithic robots of Interstellar. BTW in Coopers first encounter with the robot, he gets tazored/electrocuted by it, which is another nice lightning connection ;-)

      Kaaba means cube, and the cube has interior angles that sum to 2,160 degrees, equivalent to the Moon's diameter in miles. The moon being the location where the monolith was discovered in 2001 ASO. has done a fantastic job of summarizing the uniquely interesting geometry and literally staggeringly beautiful numerical facts that make up our reality. I strongly recommend you check out his work, even if maths isn't your thing, you're mind will be blown!

    5. Hi, I've covered the Kaaba with 2001 monolith (oneness and one stone aka monolith, cube of space), 3 pillars (creation/tree of life), the 7 anti-clockwise, Tawaf...the 7 skies, 7 souls of man, elevated to the 7th sky aka 777. Mecca/WTC connection (via the architect), Mecca/WTC 'struck towers' on the 9/11 date and via 111. The Tower of Babel (7 Towers).

      I've already earmarked some of the above, to be included in the body of this 'work in progress' ...when I get the time, that is! :)

      Will respond again soon, to expand on some of your comments.

      Thanks for all your support and interest...anon.

    6. Hey, with regard to the Tree of Life diagram you show above, where the first 6 nodes form a cube, the remaining 4 nodes form a triangle.

      To me the upper 6 (cube) represent space and the lower 4, represent time. The lower 4 are arranged in the same layout as Zemeckis' Flux Capacitor in Back to the Future, the device that "makes time travel possible", as the doc says. As I recall the doc says he "banged his forehead" (Cube/Tefillin?), and this is what gave him the idea that time travel was possible.

      So the whole Tree of Life geometrically depicts space-time.

    7. Good to see you back...yeah, BTTF...I've covered that extensively here, I've probably gone overkill on that!

      The Flux/Lux Light Capacitor, the bottom 4 spheres TOL (tree of life)...the (777) lightning flash of creation that strikes The (Clock) Tower (a la the tarot) and the TOL struck kether/crown. The TOL lightning that goes directly into the TOL Flux/Lux Capacitor. The plutonium (pluto, da'ath, sirius, TOL) aspect and Darth (Da'ath), Biff (make like a tree and the struck McFly crown), the bottom 4 TOL spheres are also in the Tower courtyard, by the tree. The 3rd eye shop, opposite The (Clock) Tower...head bashing and struck crowns (Marty, George, Doc etc) are a feature throughout, Neptune (under the sea) Trident/Crown/TOL, George (the tarot fool, born April 1st, 'I'm just a fool' Earth malkuth)Angel, countless other things. I really went to town on that one!

      Lots of other stuff too in the sequel (part 2) and I didn't even mention 9/11. I could've added this stuff to the post (because it cross references with Zemeckis and his Contact) but I've done BTTF so many times now, it's featured in a good few of my previous posts. :)

      Contact, made reference to 'the transported person' (via the pod), which overlaps a bit with Nolan's The Prestige. I noticed a struck crown/lightning theme in Twin Peaks, it goes on overload in the shows last two episodes, prior to the lightning tree lodge.

      I think the tree is divided into 4 sections/worlds, top to bottom it's 'archetypal', 'creative', 'formative' and 'material'. The tetragrammaton (name of god, yhwh) can be formed to resemble the human body (overlaying the tree) etc.

      Thanks anon, I've added a few of your recent aspects/ideas to the body of the main post, many thanks for those. Best wishes. :)

    8. Hot "news" story for today ;-)

    9. Tried to post this earlier, but it kept disappearing!

      Here another interesting sync. I have a book by Stephen HawkKING on black holes, and in this he alludes to them having "hair" - basically charged (electric) particles that can store information about the matter that has been consumed.

      The book is several years old now, but in the past few weeks this topic is bizarrely getting media attention again, e.g. 14/1/2016

      I find this interesting given the links that you've made to Planet of the Apes, and obviously 2001 ASO, but the real interesting sync to me is that Garganuta from Rabelais was born "with all his hair on", which is seen as "in the spirit of prophecy".

      There was also much discussion over McConaughey "losing his hair", and being nearly bald (post Contact), but growing it back again. His advice on how to regrow your hair is also interesting, he says "If you want your hair to be thicker, cut it when the moon is about to be full – a heavy, full, waxing moon". He stepped out with his new hair sporting a buzzcut, also known as a "Ceasar" It certainly was an evolutionary point in his career!

      Excellent work, loving it!

    10. Thanks again for the contributions, all worth consideration.

      Even Mark 'Planet of the Apes' Wahlberg (where ape Caesar didn't actually feature for once) has in recent years been linked to a film about the life of Caesar. Wahlberg aka Marky, Mark...a double 'Mars' (Mart-kot) reference. :)

      Look what I found from's a must watch.

    11. I just noticed your Hawk-KING reference...nice one. Stephen Hawk-King...the 'Crowned Hawk (Horus) King' my literal translation. :)

      The word W(hore) is apparently related to (W)Horus.

      The word Whore originates from 'Horus' the god of the sun. There used to be the women of Horus, who would initiate people into the higher realms through Tantra. These women would wear clothes with a special symbol over their heart which signified that they had 'given' their life over to the sun god. They were the lovers of the sun, knowing that every man is a representative of the Sun God. And they are Goddess Incarnate.

      *The word Whore means "Hole" and it was derived from the ancient times of the Goddess to describe those who could create a portal to the universe. The Dakini was the sacred Whore. Of course like many ancient symbols it got lost in translation.

      I better not mention any of this, in relation to 'black hairy holes' and Horus Hawking.

      Oh, and Bowie's Blackstar album has 'Tis A Pity She Was A Whore', as the 2nd song in-between Blackstar and Lazarus, maybe there is a Christ/Magdelene (whore) link? There's also the 'whore of Babylon' to consider.


    12. Following a hunch about Kipp Thorne & LIGO - always found the name interesting.

      The name Kip (Kipp robot) means "a pointed hill", i.e. a pyramid. The name Thorne resonates with Damien Thorn from The Omen, with obvious significance, and syncs/links into your latest post too.

      The 2 LIGO installations are each made up of 2 pipes at right angles to one another and connecting at the ends, forming a right-angle. Each pipe is 4000 meters long, or 2.16 nautical (mars) miles (year 2016, moon 2,160 miles, etc.). The two installations together could therefore be considered to form a perfect square with a perimeter of 8.64 nautical miles (Sun = 864,000 Miles across). They are 3,000Km apart (99% accurate). A square with sides of 2.16 will have a diagonal of 3.

      The installations are (quite specifically and positioned) equally distant from the Kaaba in Mecca... and they are angled such that the normal extending from the center point between them, points DIRECTLY at the Kaaba and aligns PERFECTLY with the cube there - at an astonishingly perfect 6,660 nautical miles (99.5% accurate).

      Not a coincidence.

    13. Check this! The line from the LIGO Livingston instrument to the Kaaba, cuts PERFECTLY through the 9/11 monument in New York (the inverted cube), and pretty much through the Hilton Millenium monolith too!! Furthermore, from the monument to the LIGO Hanford instrument it's exactly 33 degrees or 3,660km (99.7% accuracy)

      This absolutely guarantees that these instruments have been specifically positioned to coordinate with the cube. And given that LIGO was under construction from the 90's - 2002, it makes one wonder if the real reason why the towers had to come down, was to make way for the cube...

      Mind blowing!!

  3. Fantastic post. Mirrors a lot of the sync ideas I have been writing about.

    1. Decent of you to say so and much appreciated. It's good to see folk getting something out of it. Many thanks, Red.

    2. Hey, it's Red Dirt Report. You're the one who wrote that "Fire and Ice and Rainbows" piece back in August 2014, that mentions the same DH Lawrence novel I was then getting around to finishing with, and ready to talk about here on this same kickass blog. I remember you had recently turned 42 years young, and saying so on Seallion's Robin Williams sync video. Small world after all. Good seeing you, man.

  4. Hello anon/amygdala here....there are three robots in interstellar tars case and kipp tars and case combine to almost spell "tesseract" and kipp resonates with Kip Thorne of LIGO....hmmmmmmmmmm

    1. Ah yes, amyg...good to see you back. :)

      'tessarac'...hey, I like it and it's too close to ignore (it's almost phonetically perfect), good spot. Do drop by again and many thanks.

  5. Excellent work man, I saw Interstellar and felt it was the next Matrix in terms of syncnificance.

    1. Thanks for the big-up Brandon, I always enjoy getting feedback and it's good to see you comment. Interstellar, yes a real sync-fest of a film, it's tied a good few things together, at least from my POV.

      I really liked watching the film too, the spacecraft and certain elements not being CGI (aka zero depth and cartoon-like) really made an impact and I'd like to see more of this in films, going-forward.

      Many thanks.

  6. The idea that these actors and filmmakers are creating a mythos beyond any individual role or film is staggering... Regarding synchronicity it seems like you believe most of it is intentional. How do you not get overwhelmed by the idea that there is such a concerted effort to guide our minds through entertainment??? How do you maintain your sanity after travelling down every rabbithole that you come across?

    You don`t have to answer, im just stunned. Your body of work is as mind boggling as the stuff youre uncovering. Im hoping... One of these days... Its going to finally click (though i dont have the patience for much cinema or television somehow i cant stop reading your shit! Make more connections please! More more mo...)

    1. This really is the big question, right? You can in some ways ignore all these details that the media presents, because they are all in the end just minor forgettable details, it's when you put them together that the mythos reveals itself. Why!!?

      I personally struggle with this the most, one minute I'm convinced that it is all the work of some insidious human plot that has spanned eons, the next I'm equally convinced that it's just too big, and must be the expression of some universal agency!

      With intention - did we bring down the towers, yes! Did we design Ice Cube's album cover, yes! Do we design and erect architectural monuments with occult numbers and patterns, yes! Did we name Kubrick, Cube Brick, no! Did we make the Moon 400 times smaller than the sun and 400 times closer. Did we make the Earth 3.66 times bigger than the Moon, revolving around the sun in 366 days (sidereal) and Mars 3660 Nautical miles in diameter, NO!

      What actual intention is at play here, is there a line where we stop and the Universal Agency takes over, or are we the "fools" that are tricked into believing that we have any influence here at all?

      Anyone have any ideas?

    2. Hi...many thanks for all your kind words N Renzi, very much appreciated.

      You have asked 'the big question' (as anon points out).
      I will get around to trying to answer your question soon...what some of my feelings/opinions are in the overall sense etc.

      Hang in there and I will soon get back to you, when I have a chance to consider my point in fudging this with a a few vague platitudes.

      I will return.

      Thanks again.

    3. Most artists (singer, writer, movie director, painter) will recognize that their inspiration comes from somewhere else. See straight from a few of those "horses" mouth.....
      My opinion is that this "great beyond" out of time and space is ruled/organized by some kind of all encompassing AI. It's however "finished"/"squared" and we are infinite (not all of us, but those who case, the real ones). It's the squaring of the circle. Hence the ultimate truth of this world being a flat plane and not a spinning ball cruising in an infinite space

  7. This is analysis of Carpanter's "The Thing" that touches on this question in conclusion. Could be interesting:

    1. Typical of synchronicity that you've just posted up about Carpenter's The Thing (a real favourite of mine, I'm a Rob Bottin and Carpenter fan).

      The reason I say this, is because I couldn't help notice the recent news report form Antarctica (location of The Thing).

      I know they're meteorites (and not spaceships) but very interesting nonetheless and there is even a 'failed' planetary aspect to this story with the Antarctic meteorites.

      That said, The Thing's Antarctica team is located at a 'US Meteorological' base.

      Cue...Twilight Zone music. :)

      I did a piece on The Thing (here) but perhaps you've already read it, it's called 'The (Tarot) Thing From Another World'. I pulled all sorts out of Carpenter's film, it is very heavy on Norse Mythology too. Some areas are tenuous, but that is the nature of this sort of thing.

      Thanks for the link, will check it out. Couldn't help but notice, that there is not a single comment listed on the post you provided...that's a real shame, as clearly a lot of time and effort has gone into it.

    2. Yes, I've read your "The Thing" piece. The one I linked is much more conservative, but the general conclusion on role of movies affirms the crucial insight behind your blog about existence of meaningful, and sinister, connections. You're spot on about this gravity wave thingy being foreshadowed in movies, I was just waiting who will be first to notice it.

  8. Had to post this because this is probably the best dissection of Interstellar on the web!

    I've just learned that TARS (Trace amine-associated receptor) was discovered in 2001 to be "a class of G protein-coupled receptors". Whats interesting about this is the receptor is required in mammals for the absorption of DMT. Some researchers believe (and has been proven in rats) that DMT is produced naturally by the pineal gland and the TARS receptors are responsible for its absorption.

    So it seems that Cooper took TARS the robot into the "black hole' or brain, you know, the trippy part of the movie, to help him understand the "reality" and complete the circle. Without the TARS receptor he would have failed!


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